3 years of higher education in music production, mixing, mastering, music business and more.
Recognized with an official diploma from the Fundació Universitat de Girona.
Morning: 9:30 -13:30h (Catalan)
Afternoon: 14:30-18:30h (Spanish)
Duration of 3 or 4 years
600 hours per year
These are the modules that make up our themary:
Through the subjects that are part of this module, the student will acquire the necessary skills to make productions of different musical styles successfully. Through different software, students will learn all the techniques needed to develop their creativity. The other pillar of this module is the mixing and mastering, keys to ensure that our productions live up to the demands of the market.
Music and composition
Music and composition
This module covers all the subjects that will give the student a solid foundation in musical language and harmony. In this way, you can easily create effective musical compositions in your productions. Through musical language, advanced harmony, and an introduction to the piano, students will be able to musically express their ideas.
In this theoretical-practical module you will learn the sound theory and the knowledge necessary to be able to perform the sound of a concert, a conference or any space through the correct placement of speakers and microphones. Basic knowledge of acoustics is also acquired, with the aim of being able to properly condition a space in which to work on sound.
In this module the student learns the functions of the technician in a recording studio. From the preparation of a session, the necessary microphone techniques, the technical differences depending on the style being recorded and everything a good technician needs to know to make quality recordings. You will also learn the mixing techniques that define the different musical styles.
Musical history and aesthetics
Musical history and aesthetics
Through an anthropological and humanistic view, the evolution of modern and electronic music over time is explored. In this way the student will see how the aesthetic changes arise as a result of the moods of the society itself.
Audiovisual production is very important for EUMES, which is why we dedicate this module to it, where it is explored in composition, awareness, sound design, music and radio production (although it has no visual part, it does have a narrative part). This module teaches conceptual, artistic and technical parts alike, ending with a practical part where all learning is assimilated.
This module explores all the techniques needed to master the design of sounds with the four standards of production: Serum, Massive, Spire and Fm8. Apart from mastering all the parts of the synthesizer, this subject will also deal with sound design from a stylistic point of view.
Internet has created a new way of understanding the music business. Money no longer comes from CD sales or digital downloads, but in many cases from concerts or performances, which can no longer be conventional, they have to make a difference. This module teaches you how to add value to live performances.
The aim of this module is to provide students with the essential knowledge for their professional development within the music industry. The student will learn the necessary aspects and methods in order to be able to self-manage the artistic, business, communication, promotional and legal matters related to his career.
|Ableton Live I||06||Production||Tool|
|Recording Techniques and Logic Pro||06||Recording and sound||Tool|
|Introduction to harmony||06||Music and composition||Concept|
|Sound design I||02||Synthesis||Tool|
|History and aesthetics of electronic music I||06||Musical history and aesthetics||Concept|
|Nature of sound||04||Sound||Concept|
|Dj (optional)||Live performance||Tool|
|Advanced production I||06||Production||Tool|
|Introduction to the piano||03||Music and composition||Tool|
|Sound design II||02||Synthesis||Tool|
|Harmony I||06||Music and composition||Concept|
|Musical language I||03||Music and composition||Concept|
|Sound dramaturgy||02||Music history and aesthetics||Concept|
|History and aesthetics of modern music I||04||Music history and aesthetics||Concept|
|Advanced Production II with Cubase||06||Production||Tool|
|Mixing and mastering – pop, rock, jazz||06||Production||Tool|
|Making remixes and covers||04||Production||Creativity|
|Film Scoring I||02||Audiovisual||Creativity|
|Harmony II||04||Music and composition||Concept|
|Musical language II||05||Music and composition||Concept|
|History and aesthetics of modern music II||02||History and musical aesthetics||Concept|
|Ableton Live II||01||Production||Creativity|
|Film Scoring II||06||Audiovisual||Creativity|
|Sound and foley design for audiovisuals||06||Audiovisual||Creativity|
|Recording techniques II||04||Recording and sound||Tool|
|Mixing and mastering II||06||Production||Tool|
|Musical language III||02||Music and composition||Concept|
|Harmony III||03||Music and composition||Concept|
|Sound design III||02||Music and composition||Concept|
|Film Scoring III (video game specialization)||06||Audiovisual||Creativity|
|Sound design for video games with Pro Tools||06||Audiovisual||Creativity|
|Musical self-management II||06||Music Business||Concept|
|Business coaching||04||Music Business||Creativity|
|EUMES Meets Oscar Araujo||01||Music Business||Creativity|
|Sound design for video games with Pro Tools II||02||Audiovisual||Creativity|
|Acoustics and live sound||04||Sound||Tool|
|Creating livesets||04||Live performance||Creativity|
|Event organization||02||Music Business||Concept|
|Music self-management III||01||Music Business||Concept|
|Music marketing||04||Music Business||Creativity|
|Business creation and management||04||Music Business||Concept|